Compositional Crossroads

Compositional Crossroads

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Visionary deans, composers, musicologists, and students associated with the Faculty of Music between 1970-2004 offer insights into the early contributions of Istvan Anhalt, the birth of the Electronic Music Studio and McGill Records, the importance of visiting composer-teachers, opportunities for composer/performer collaborations, the development of performing spaces and ensembles, and new ways of considering sonic creativity. Several essays are devoted to major composers who taught at the school, including Bengt Hambraeus, alcides lanza, Brian Cherney, Bruce Mather, John Rea, and Denys Bouliane.Pamela Jones, Montreal Musicologist PAMELA JONES has had a lifelong passion for both music and dance. ... books, including Studi Musicali, Early Music , Perspectives of New Music, the Montreal new music journal Circuit, and the International Encyclopedia of Dance. ... For many years I [had been] writing music that I described as city, urban music -nonfolkloric, non-nationalistic. Then ... By the late 1970s a significant number of composers were writing some form of neotonal music.

Title:Compositional Crossroads
Author: Eleanor V. Stubley
Publisher:McGill-Queen's Press - MQUP - 2008-02-12

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